HOME » WHAT'S ON: ARCHIVE: 2014 » BREAKING THE SILENCE

Breaking The Silence

Forum Theatre workshops
by Kok Heng Leun
Level 1 & 2



10 – 12 Sep 2014 (Level 1)
13 – 15 Sep 2014 (Level 2)
9am – 6pm

Fee
S$260 per level
S$480 for 2 levels

Early Bird Discount (register by 31 Jul 2014)
S$240 per level
S$380 per 2 levels

Registration
Email your name, contact information and relevant experience (for level 2 applicants) to Josephine.

Registration Deadline
27 August 2014

International Applicants
We welcome applicants from any part of the world. Email us if you have any queries.

Why attend this workshop?

Attend this workshop if you want to learn to analyze issues that affect you and try out different strategies to deal with them, cultivate self-reflectivity as well as develop an active outlook towards dealing with problems in life.

Or want to learn how to create a dialogical and transformative experience in your work – stimulating interactive learning and critical thinking, transforming passive receivers into active learners.

Who should attend this workshop?

  • Social/community workers
  • Arts educators
  • Theatre practitioners
  • Anyone who wants to know how to use Forum Theatre techniques in their work

Course Outline


Level 1 Level 2
  • Introduction to Theatre Games & Image Theatre as part of the Arsenal of "Theatre of the Oppressed"
  • Learn the dramaturgy of a Forum Theatre
  • Devise an "anti-model"
  • Experience a Forum Theatre Session
  • Further exploration into Theatre Games and Image Theatre
  • Learn how to direct and rehearse a Forum Theatre presentation
  • Integration of Pedagogy of the Oppressed into Forum Theatre
  • Introduction to "Jokering" and Actor-Facilitation

Pre-requisite


Level 1 Level 2
  • None
  • Participants must have jokered/directed/acted in a Forum Theatre Production
Or
  • Attended Level 1

What is Forum Theatre?

Forum Theatre originated from "Theatre of the Oppressed" established by Brazilian theatre master Augusto Boal.

The most distinct feature of Forum Theatre is that it turns passive spectators to become proactive "spect-actors" by allowing them onstage to replace actors and change the outcome of a play.

Watch Forum Theatre "Wouldn’t it be nice?"



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